Animal image in European painting in the 19th century

Animals are an inseperable part of humanity experience that composes with it throughout history. Animal description has been seen on the cave wall whose people that lived his life by hunting until B.C. 32000. Animals become wealty sources for nutrition and clothing and needings connected with social statue and richness.Relating with animals becomes an inseperable part of our life.Animals similacrums were described on drawings which told hunting scene on cave Wall in Bulgaria, France and Spain generally. Developing of animal similacrum throughout history goes on developing of humanity culture in collateral. In the begining by starting with hunting scene,after that animals were described as a symbolic, mythological and religious in civilizations of The ancient Greek, Eygpt, and Rome. In this term, animal similacrums reveal on tombstone, Wall decoration and state housing.Throughout ancient civilizations, animals were told by different meaning and symbol in the view of religious of area and social,cultural effects. In Eygptian mythology, animals were described a sacrificed beings but ın Roman mythology, they were described pet and beings on the Wall decoration. In ancient Greek,they were shown as a sort of mythology.In Both of Greek and Eygpt myth, animals were described as a form of human and animal mixture. In 14 and 15 centuries, religious impresses in European areas makes a press on craftsman owing to war of between catholic and protestant church and this situation effects on art. In this way, animals which used as a expression form in religious places and compositions were used a significant symbol in Manyerism and Renaissance terms. New trends reveal as a reaction for previous manner together with social development. In Barok and Rokoko terms, effective using movement and light in Picture and ıts composition in animal descriptions and ıts development gains speed. In this terms, animals were used a lot in mytologic and religious creations. At this time, craftmen give place to animal similacrums in their creations in closed places, natürmort or pet generally. Together with 19th century, social events,wars,imperialist discovery , France revolution and english industry revolution effect craftmen. Mobile paints destines craftmen to nature and as a result animals place with landscape. Animals similacrums in neoklasizm term which place in religious and mythologic creations reveal scene described social events in Romanticism term. Craftmen in Barbizon school used animals as an auxiliary figüre in their pictures. Together with Empresyonism term, impressionist painters perceive animals like a social-cultural similacrum and described animal similacrums as a social statue in their works. İmpressionist painters compose animals as a complement element or an instant event by effections of speedy brush stroke and sentimental evocation. Keywords: Image, Animal, Painting, Art