Actor's training in relation to energy-score

For the actor the area that s/he can controls and directs his/her own work is the sturcture called score. Energy, as a component of the score, is a fundamental tool for the performer to contact with spectator. The initial thing to attract spectator's interest is the scenic-bios which actor gains through extra-daily energy. Performer transforms this state of extra-daily energy to an acquired and organizable quality through actor's training. This quality is related to the actor's training with any kind of physical discipline, acting method or his/her own design in the context of energy. For the actor, it is possible to exercise to achieve this quality. The main interest of this thesis is the energy as organizable, transformable and transferable tool/material for he actor.