Examining of the natüre as a thematic concept and compositional structure

This thesis is based on the nature of Western and Turkish art of landscape painting, the development process are discussed. Though it covers a wide range of content in the subject a certain time period and current period have been studied mainly landscape paintings.The works of artists who lived at different times throughout the thesis subject, evaluated in terms of technique and style. Nature, especially in the Renaissance period of art history as a form of theatrical expression is used in the background, resulting in the collapse of empires in Western Europe the process of composition fiction rather than a goal that has become a tool of nature has been committed and we get an understanding of the content. After this, Romanticism, Naturalism, Symbolism of artistic influences affecting the situation of human psychological, social and economic reasons, reflecting the nature of objects and living things resulted. Therefore; since 18th to 20th Century Century artists in the process as an alternative to the social destruction that nature has given an analytical perspective, examining the rich color and formal elements of alternative, tried to find the technical styles.However, the human community to put pressure on the industrial revolution, an understanding of nature, impressionist artists went even further, accompanied, combined with pure color and geometric forms of identification with forms of scientific perceptional fiction by inventing a new composition, revealing revolutionary values of different aesthetic conceptions of plastic tendency. Some Impressionist artists who influenced the Paul Cezanne and the most important formal technique of the 20th century based on the compositions of nature with a modernism has taken its first steps. In this context, the methods of the application of Impressionism, Post-Impressionism developed artistic style, perception of nature as a subject area that I produced landscapes in different places in the history of art in understanding the formal enhancement are then absorbed. Technically speaking, these images are emulating the style of Cezanne, the reality of nature is the product of a mentality which aims to analyze the structural aspects.Key Words; Landscape Paintings, Paul Cezanne, Turkish in Painting and Landscape Painting