Information and communication technologies and subject as a form of interaction

Examining "what the subject" is in the historical process it is seen that it is a product of the flowing knowledge The "subject becomes" subject according to the dominant knowledge of the period he is in, by performing verious "subjectivity experiences."Such a thought about the subject; Information and communication Technologies (ICT), which constitutes an important tool of production and distribution processes of information, and subjectivity make one think together. ICT is seen as a tool that produces subjectivity in order words, a dispositif. The subjects involvement with digital Technologies is an "experience of digital subjectivity ." Today, ICT has become an extension of the subject, a part of its body. This puts the subject matter at the center of posthumanism. Critical posthumanism criticizes the hümanist intellectual foundations in which other beings, in which human beings are at the center, are defined as secondary, and proposes a new ethical order in which all living things such as human, machine, animal and plant will live in equality. "Based on the fact that the articulation, of the subject with digital technologies makes it posthuman, does this new state of the subject take place within the framework of an ethical thught put forwad by critical posthumanist thinkers?" "Is the kind of subjectivity suggested by critical posthumanist thought possible?" Answers to such questions are sought in this thesis. Literature review and digital ethnography method were used as methods in the thesis. Subjectivity; its place in the hostory of thoughthas been discussed within the framework of the relationship between ICT and dispositif. The reproduction of subjectivity with digital technologies is discussed by compariing tradational and digital forms of portrait art. The subject's constant attachment to digital Technologies is an experience of digital subjectivity The most subjective place of the subject as a rezult of this experience;İts face changes At this point especially portrait production tools dispositively shape "subjectivity." At this point, especially portrait production tools dispositively shape "subjectivity."At this point, portrait and digital portrait production tools, which are a representation of the face: DALL-E, Midjourney, Meta Spark and Instagram, Drawanyone constitute the limitation of the thesis. The structure of the means of production, how the production process takes place, the producing subject, the produced object; How the "experience of subjectivity" occurs is key to understanding the "posthuman subject" as a result of this. Keywords: Subjectivity, Subject, Information Communication Technologies, Posthumanism, Face, Artificial Intelligence Art Production Tools.