Mannerism in contemporary photo graphy art
1997
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Advisor: Doç. Dr. Mutlu Parkan
Abstract (EN)
In history of art, there have been times that witnessed ' conflict on and discuss about evolutionary processes of many different artistic styles and schools. All this have contributed as aesthetic experiences to the cultural development of humankind from the aspects of creativity and art theory as well as its aesthetic problems. In order to create, def ine, and analyze in the context of artistic behavior, work and aesthetic structure, one should refer to the respective of artistic occurences in the history of art. We need these elements more when we come closer to current times. In other words, one should explore common points among classical samples with new looks, and by discovery expeditions in the art history. In fact, to explore works within the artistic activities and their aesthetic and cultural condition of modern times, attributing them to postmodernism, as has been done in general, is simply insuf f icient. For instance, the term Transavanguardia and Hypermanneri sm have been coined because of the narrow conception of postmodernism... Thus, manner ism maintains, and increasingly gains importance on the level of "neo'Mn other words, postmodernism is contemporary mannerism from the aesthetic point of view. Cindy Sherman and Şahin Kaygun. represent this cultural and aesthetic phenomenon in postmodern art of photography.
Author
Dr. Levent Berber
Institution
How to Cite
Levent Berber (Master Thesis). Mannerism in contemporary photo graphy art, 1997, Dokuz Eylül University.
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