An analogy of El Greco and Francis Bacon oriented to the deformation principle in the context of ?being and time?

In this study, how the deformation principle has become an artistic way of expression in the hands of El Greco and Francis Bacon and the utilization methods of this principle is examined.It is observed that the artistic points of view of the two artists examined have different baselines as well as similar ones. In this context, the main styles related to the artistic periods Mannerism and Modernism, are examined substantially, which El Greco and Francis Bacon have produced their work in accordance.By the analysis of his works, it has been possible to figure out the forms of deformation used in Bacon?s paintings overlapping with the ?Being and Time? concept and to examine the reasons of this usage. As Bacon?s level of work is concerned, it is important to identify how Deformation Analogies (Samplings)present the ways of expression in relation with ?Being and Time? concept and how the utilization of traditional elements affect the attainment of the target.Consequently, we may say that, these two artists who have influenced both their current and latter time in style and structure, have utilized deformation as a dominant way of expression.