Literary arts in the hadith and its influence on understanding

Literary arts are indispensable in terms of literary pleasure and superiority, both in poetry and in plain text, which give clarity, ingenuity, strength and dimension to the word. Our Prophet (sas), capable of expressing few words and broad meanings by means of the Jawamiu'l-word, is also untrustworthy and untrustworthy of literary art. In this interpretation, our thesis was primarily intended to identify literary art patterns in the hadith and to determine what these art meant for the respondent in terms of verbal and meaningful proportions of the hadith. For this purpose, the three sets of meanings, such as truth(understanding by truth), metaphor (understanding by ingenuity), and sarcasm (understanding by wisdom), each of the literary arts has been brought to the myths of both language and the Holy Qur'an and the hadith. First, in the introduction, the subject, purpose, theoretical, and conceptual framework have been established, pointing to the underlying sources of dissertation. There have also been explanations for clarifying the boundaries of work and determining the meaning of some of the terms used. Subsequently, the literary arts adorn the words and true meaning, and the promotion, features and subcategories of these arts as a whole. Then, it was tried to determine the meaning of the relevant art, what messages it conveys to the event, to the lyrical and especially to the respondent. Likewise, the second chapter focuses on metaphorical art, and the third on the cultivation of kinanic art, relates to literary art and its effects on meaning, if any, discussions on rhetoric and conflicts within the realm of it. the information is mentioned. After various examples of literary art were mentioned, however, it was investigated how the sectarian arts in the hadiths made a makes between the meaning of ulema and subsequent generations. As a result of assessments and reviews, it has been found that literary arts play a key role in events, providing the basis for some subjective/subjective approaches, and offer inalienable wealth for narrative and understanding, as well as for conflict-inducing. They have also been shown to have acquired literary art as a bridge and a means, while they have presented the arguments of over-wording and over-interpreting mentalities. In particular, the study is complete with the recommendation that certain uses such as kinâî art and dissemination be used more effectively and extensively in interpretation.