The French interpretation style of the 17th and 18th centuries and its practice via classical guitar sampling with Robert de Visee

This basis of this study is the different musical practices of 17th and 18th centuries in France and applicability of them on the modern classical guitar in the sample of the first guitar suite in d minor, Robert de Visée. In the "Introduction", the historical significance of the performance was mentioned. In the related period, the social and political situation related to France was given. The effect of this social and political situation on the music was mentioned and the field was narrowed to the frame of guitar music. Information and documents related to Robert de Visée, one of the important guitar composers and performers of the period, were examined. The problem situation is addressed. In the "Method" section, data analysis and research model are given. "Findings and Interpretation" section of the research, which includes the sample of the research, the applications of the era explained, the ones that can be applied with the modern classical guitar identified, and the work has been transcribed. Results and recommendations were presented based on the findings.