Cafer Cabbarlı and Namık Kemal comparison of theather works

In this study, the theatrical works of Namık Kemal and Cafer Cabbarlı, who are pioneers and direct the field of theater in Turkish and Azerbaijani literature, have been comparatively examined through the concepts of homeland, family, woman, love. The theater, which is seen as a branch of fine arts, is described as a literary genre in the field of literature because it is staged based on a certain text. In the study, only the theatrical texts of the theater field were handled and subjected to a comparative analysis since it is a comparative literature study. Western-style theater first came to the Turkish world in the 19th century. In this respect, theater in the literature of Turkey and Azerbaijan has progressed in the same medium and has met on common ground. However, the administrative system, the effect of social and political life, historical events; After the Tanzimat, Constitutional Monarchy, before and after World War I, and the Soviet Union, there were both living standards and cultural and social changes between the two countries. The common point of both authors is that they serve the same purpose and start a new era by producing theater works in social dimensions. The aspects that make the writers different are the ways they are reflected in their works, since the periods they live in are politically different. The aim of the study is to contribute to the literature by making historical, cultural and literary comparisons of the effects of the theater works of Namık Kemal and Cafer Cabbarlı on social life and the awareness of the society in terms of partnership and difference.