Portrait-place relationship in contemporary Turkish painting

Art has lived in a state of change, and art has lived in a state of change. The increase in the sense of pleasure has motivated the artists' motivation to express themselves and transfer art to education. The Turks, who led a nomadic life, reflected the cultures of the places they visited and stayed in their art lives. The art life that started with murals has continued its life until today and has been in a development. They were influenced by the socio-cultural, socio-economic and war issues of the age, period, society and society in which they lived and reflected them in their works. Turkish painting art has mastered an art concept that contains many subjects and has a wide scale. The frequent use of portraits and place in works has strengthened the expression that is intended to be conveyed. Portrait and place have existed from past to present and have taken place in different art concepts. The artists expressed their intense feelings with the portrait and supported these feelings with the place. As with any period, every artist has used a different language of expression. Although presented with different styles, the feelings desired to be given have shared values. In the thesis study titled "Portrait-Place relationship in Contemporary Turkish Painting", after the establishment of the Sanayi-i Nefise School of Turkish painting, the process up to Contemporary Turkish painting was scanned in literature. In the light of the findings obtained, the development of portraiture and place was also discussed in the works of artists from the bar in the portrait-place relationship in Contemporary Turkish painting Art. The effects brought by the era, cultural reflections, the life of the artist were investigated in the context of topics such as. The works of artists who produce works in the context of portrait-place in contemporary Turkish painting have been examined and interpreted in the context of portrait-place relationship. The analyzed works were found to be important in terms of contributing to the art literature.