Turkish landscape painting and original essays in contemporary art after 2000
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Abstract (EN)
In the study titled Turkish Landscape Painting and Original Essays in Contemporary Art After 2000, the reflection of the negative effects of people on nature on the art of painting and the researcher's own work is discussed. The sociological changes in Europe, especially after the industrial revolution, the changing thought and lifestyles, the perspective of the landscape artists in western art, and the progress of the pre- republic and post-republic artists in the field of landscape painting have been discussed until today. In the first part of his work, the definition of landscape painting, its history and important artists in the historical process in different countries are discussed. In the second part, the main artists who have a place in Turkish painting art and the techniques and tags used in their works are briefly mentioned. In the third chapter, the artist's own works, the destruction of nature by humans, are presented as a dominant subject. In the first works depicted within the scope of the research, human and animal figures were included. It is an important element that comes to the fore in the paintings in which nature is destroyed by humans. Instead of the traditional approaches taken by the understanding of landscape painting in its historical flow, different narratives created by the artist in the context of a new subject are included. Keywords: Landscape Painting, Nature, Destruction of Nature, Viewer.
Author
Abdullah Karakuş
Institution
How to Cite
Abdullah Karakuş (Master Thesis). Turkish landscape painting and original essays in contemporary art after 2000, 2023, Gaziantep University.
Keywords
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