Humor copy in modern painting and plastic by Manolo Valdes

The cultivation of the camera, tools began to be trained by researching new and modern techniques. By leaving the language of nature, figures or official language; they designed their paints and brushes with a new perspective on the foreground. With this period, art was initiated to begin its essence. Artists are grown from art, leaving the painted arts built on canvas. With the reinterpretation of works by master painters with modern tools, the "humor of copy" has emerged. In this thesis, they were trained in the Manolo style of painters and sculptors, one of their tried-and-true artists. Valdes; Influenced by works such as Peter Paul Rubens, Diego Velázquez, Rembrandt Harmenszoon van Rijn, Henri Matisse, Pablo Picasso; He created his own style by making use of matter painting, impasto technique, humor and collage. Shape, color, light and special plastic textures of basic structures. His works; Items such as fine, detail-minimized, dense layers of paint, fabric, papers, tape, mirror burlap and powdered pigment. It has been reinterpreted in the works of Manolo Valdes. To be reviewed from sections separated from the main piece; He created his own style with design and technique. This thesis consists of space. In the first time Manolo Valdes' method of work, the second distant modern art, small collective postmodern art, "the ways a work of art can be reproduced, the sculptures of Manolo Valdes that are alive and need to be bought, the sculptures of Manolo Valdes that are dead, also influenced by the and its own practice trials, and the work of the eighth research team. Keywords: Modern Art, Humor of Copy, Manolo Valdes, Composition, Technique