The examples of text-painting tradition in aleutianbektashist art and its reflection on contemporary art

In this study it has been analysed how the humanity has developed the subscription from paintings, the paintings from subscription in the historical process. It has been tried to explain, how Aleutian Bektashist's beliefs, which had brought their existence up to day-to-day in ancient Anatolian lands, have used text-paintings art to express their meaning based on the idea of Wahdat-i Wujûd and in mystical symbolism. The Problem of Aleutian-Bektashist about the heterodox and syncretism, and their relation with each other in the historical process has been addressed. Examples of text-paintings, also referred to as Dervish Lodge Art, have been analyzed in details and given some examples from the artworks of our Age artists Erol Akyavaş, Balkan Naci İslimyeli, Murat Morova. The aim of the thesis is to disclose the text-painting art in the Aleutian-Bektashist belief, which has not been studied much, that it has not included a heterodox belief and has not been a pictogram; giving some examples from text-painting in Dervish Lodge Art based on the Aleutian-Bektashist sources, which also describes the mysticism symbolism arising from the Wahdat-i Wujûd thought. Key words: Aleutian-Bektashist, Text-Painting, Wahdat-i Wujud.