الهوية في الشعر العراقي المعاصر(2006-2016)

The study was based on a cultural methodology that has become of great standing and has emerged on the contemporary critical scene, which we can only describe as comprehensive. The research was launched through the interface that the cultural systems call for, through poetic reading, revealing the hidden secrets, and interrogating poetic texts, because of the implications of this study, in which it becomes clear to us the depth of meanings and goals in the light of critical studies, through applied criticism and reading an analysis of the poetic texts found in the poets' collections. The research dealt with generations of modern poets, and we wanted from this poetry that appeared and spread after the events that accompanied the occupation, especially the events after 2006, and the violent sectarianism that accompanied them. Contemporary Iraqis felt that it became present by an act in the individual imagination of each one of them, which made it capable of imposing its authority in the Iraqi society, due to its legitimacy and the great acceptability it enjoys, whether it was due to its declared systems or the implicit actions that have the ability to moving things according to data. We find it has dominated the production of the Iraqi poet through religious patterns, and his attempt to reveal the religious hegemony and patterns that managed to impose a state of consciousness and subconsciousness. As a result of the deteriorating and chaotic situation in which the Iraqis are living due to the domination of the religious establishment, the poetic motive became clear and evident in rejecting all religious practices and their activities, so they rebelled against them through a variety of ways, including direct rejection or symbolism, warning and ridicule and other ways. Keywords: identity, poetry, Iraqi society, contemporary Iraqi culture, groups in the society.