Arap şiiri
75 theses under this subject heading
Ümeyye Bin Ebi's-Salt'ın şiirlerinde metafizik
Bu araştırma, İslam öncesi ve İslam'ın doğuş döneminde yaşamış şair Ümeyye bin Ebi's-Salt'ın şiirlerindeki metafizik ögeleri konu etmektedir. Ümeyye bin Ebi's-Salt, İslam öncesinde putperestliği terk edip monoteist bir inanca geçen ve Hanif olarak nitelenen isimlerdendir. Onu diğer Haniflerden ayıran en belirgin özellik ise monoteist bir inanca sahip olmasına karşın İslam'a girmemiş olmasıdır. Bu yönden adının aykırı bir kişilik olarak kaynaklara yansıdığı görülür. Aynı kaynaklar, onun okuryazar, araştırmacı, bilgili ve kültürlü biri olduğu konusunda uzlaşım içerisindedir. İslam öncesi dönemde, Arap yarımadasında inanç ve düşünce alanında büyük bir dönüşüm yaşanmıştır. Yahudi ve Hıristiyanlığın etkisiyle, egemen dini anlayış olan putperestlik zayıflamaya başlamış ve Arap inancı monoteizme evrilmeye başlamıştır. Bu bağlamda Arap metafizik düşüncesinin ve metafizik evren tasarımının da değişmeye başladığı görülür. Arap tarih teorisyenlerince Haniflik adıyla isimlendirilen inanç akımının temsilcileri, söz konusu değişimin görünür örnekleri olmuşlardır. Çoğunluğu aydın ve edip olan bu Hanifler, politik bir örgütlenme amacı gütmeseler de şiir ve hitabet sanatını kullanarak inançlarını Arap toplumu içerisinde yaymışlar ve Arap düşüncesi ve inanışının monoteizme evrilmesinde etkili olmuşlardır. Ümeyye bin Ebi's-Salt, Hanif olarak nitelenen isimlerin en ünlülerindendir. Şiir sanatını monoteizm çağrısında bir araç olarak kullanmıştır. Şiirlerinde Yahudi ve Hıristiyanlardan öğrendiği bilgilerin etkisiyle dönemindeki diğer şairlerin değinmediği konulara değinmiş ve geleneksel temalardan farklı içerikleri şiirlerinde işlemiştir. Şiirlerinde diğer şairlerden farklı olarak, metafizik unsurlara yer vermiş ve metafizik bir evren tasarımı gerçekleştirmiştir. Tezin amacı, şairin şiirlerinde geçen metafizik ögelerin tespiti ve bu ögeler üzerinden şairin metafizik evren tasarımının anlaşılmasıdır. Bu saptamalara geçmeden önce şairin düşünce dünyasının daha iyi anlaşılabilmesi için yaşamı ile ilgili anlatılar değerlendirilmiş, yetiştiği kültürel ortamın sınırları belirlenmeye çalışılmıştır. Ayrıca şiirlerinin içerik analizi yapılmış ve çizelge olarak gösterilmiş ve şiirleriyle ilgili olarak tartışmalı konulara ışık tutma çabası içerisine girilmiştir. Tez hazırlanırken genel olarak tanısal bir yöntem izlenmiş, kaynak taraması ve fenomenolojik okumalar yapılmış, içerik ve veri çözümlemesi yöntemleriyle çıkarımlarda bulunulmuş ve sonuçlara erişilmiştir. Şairin Arap yarımadasında bir kültürel değişim ve dönüşüm döneminde yaşadığının tespiti, kabile tutuculuğundan dolayı Müslüman olmaması ve bu şekilde ölmesi ulaşılan sonuçlardan bazılarıdır. Öte yandan şairin şiirleri içerik çözümlemesine tabi tutulduktan sonra Kur'an'ın esin kaynaklarından biri olduğu yönündeki iddiaların gerçeği yansıtmadığının anlaşılması tezde ulaşılan diğer önemli sonuçlardan biridir. Bu çalışmanın, Arap dili, Arap Tarihi, Arap kültür tarihi, Arap Edebiyatı ve ilahiyat araştırmalarına katkı sağlaması beklenmektedir.
Klasik Arap şiirinde savaş (Cahiliye'den Abbasi Dönemine kadar)
Şiir, kendine has bir ritimle tarih boyunca insanların hayal dünyasındaki aşk, sevgi, nefret, hüzün ve intikam gibi düşünceleri dışarıya ahenkle yansıtma ve insanları etki altına alma aracı olmuştur. Sürekli bir değişim, gelişim ve yenilik diyalektiği içinde varlığını sürdüren şiir, Cahiliye'den itibaren Arap toplumunda insanların en çok değer verdiği edebiyat unsuru haline gelmiştir. Zamanla toplumun dinamikleri ve hassasiyetleri değişirken şiir, ehemmiyetini ve etki sahasını daima koruma altında tutmuş ve bir şekilde gelişimini sürdürmeye devam etmiştir. Cahiliye dönemi başta olmak üzere hemen her Arap edebiyatı döneminde şiirde yeni türler varlık göstermiş, şiiri teşvik edici ve geliştirici unsurlar ön plana çıkmıştır. Cahiliye döneminde Arapların yaptığı savaşları ifade etmek için kullanılan Eyyâmu'l-'Arab, şiiri geliştiren bu unsurlardan biridir. Yapılan savaşlarda ölenleri yad etme, kahramanlıklarını övme veya karşı kabileyi yermek için şiir ve şair ihtiyacı hasıl olmuş ve bu vesileyle şiirde gelişmeler vuku bulmuştur. Sadru'l-İslam Döneminde başta şiir olmak üzere değişen edebiyat çehresi, şairleri dini merkeziyetçilik ile medih, hiciv, mersiye gibi temalarla şiir nazmetmeye itmiştir. Bu dönemde savaş içerikli şiir atışmaları, Cahiliye'den beri var olan temaların daha sağlam bir zemine oturmasını sağlayarak sonraki dönemlere intikalini sağlamıştır. İnsanların mezhepsel olarak gruplaştığı, birbirleriyle savaştığı ve kendi içinden bir halife ilan ettiği Emeviler döneminde her grup şaire ve kendi haklılığını ifade edecek şiirlere ihtiyaç duymuştur. Bu dönemde yapılan savaşlar eski şiir türlerinin gelişimine katkıda bulunmuş, yeni şiir türlerinin ortaya çıkmasına zemin hazırlamıştır. Bu çalışmada Cahiliye başta olmak üzere Sadru'l-İslam ve Emevi dönemlerinde meydana gelen savaşların, şiire yansımaları, gelişimine katkıları ve bu şiirlerde işlenen temalar ele alınmıştır.
Hatim et-Tai ve Hassan b. Sabit'in şiirlerinde insani değerler
Bu çalışmada, eski Arap edebiyatının önemli şairlerinden olan Hâtim et-Tâî (ö. 578 [?]) ve Hassân b. Sâbit (ö. 60/680 [?]) ele alınmaktadır. Bunun yanı sıra içinde yetiştikleri çevre detaylı bir şekilde incelenmektedir. Bunlar, şiirlerinde güzel ahlakı savundukları için yüce değerleri müdafaa eden şairler olarak bilinmektedirler. İslam'ın da bu değerleri onaylayıp benimsediğini bildiğimiz için bu tür şairlerin araştırması önem arz etmektedir. Çalışmamız giriş, iki bölüm ve sonuç kısmından oluşmaktadır. Girişte genel olarak insani değerler ve özel olarak da dini değerler incelenmektedir. Birinci bölümde Hâtim et-Tâî'nin hayatı, divanında yer alan insani değerler ve şiirlerinin özellikleri ele alınmaktadır. İkinci bölümde Hassân b. Sâbit'in hayatı, divanındaki insani değerler ve İslam'ın şiirine olan etkisi işlenmektedir. Sonuç kısmında ise araştırma neticesinde varılan sonuçlara ve konu ile ilgili ilgili önerilere yer verilmektedir.
Ebû Bekir el-Cessâs'ın Ahkâm'ul-Kur'ân'ında Arap şiiriyle istişhâd
Ebu Bekir el-Cessâs 10. Yüzyılda yaşamış, devrin en büyük Hanefî fakihi Ebü'l-Hasan el-Kerhî ve Hâkim en-Nîsâbûrî gibi âlimlerden ders almış önemli bir âlimdir. el-Cessâs, Kerhî'nin vefatından sonra Bağdat'ta ders vermeye başlamıştır. Ebû Bekir Muhammed b. Mûsâ el-Hârizmî, Ebû Abdullah Muhammed b. Yahyâ el-Cürcânî, Ebü'l-Hüseyin Muhammed b. Ahmed ez-Za'ferânî, Ebû Ca'fer Muhammed b. Ahmed en-Nesefî, Ebû Ca'fer el-Üsrûşenî, Muhammed b. Ahmed el-Vâsıtî gibi birçok talebe yetiştirmiştir. el-Cessâs'ın ona yakın eseri vardır ve ahkâm âyetlerini tefsir ettiği Hanefî mezhebinin hükümlerini barındıran Ahkâmü'l Kur'ân'ı en meşhurudur. Ahkâmü'l-Kur'ân hüküm içeren âyetleri tefsir etmesi açısından yazılan ilk örneklerden biridir. el-Cessâs âyetleri tefsir ederken Arap şiirinden deliller getirmiştir. Bu çalışmanın asıl konusu el-Cessâs'ın şiirle istişhâd yöntemidir. el-Cessâs'ın şiiri delil getirdiği âyetler konu ve dil bakımından farklıdır. Tefsir ettiği âyete şiiri delil olarak ilk sırada da getirmesi onun dil bakımından şiirlere duyduğu güveni ortaya koyar. Ebu Bekir el-Cessâs'ın Ahkâmu'l Kur'ân adlı eserini konu edinen bu çalışma iki bölümden oluşmaktadır. Birinci bölümde müellifin hayatına, eserlerine, ilmî kişiliğine, Kur'ân ve hadiste şiirin konumuna yer verilmiştir. Çalışmanın ikinci bölümünde çalışmanın en temel konusunu oluşturan Ahkâmu'l Kur'ân'da şiirle istişhâd yöntemi belirlenmiştir. Bu bağlamda şiirle istişhâd ettiği âyetler sınıflandırılmış ve örneklendirilmiştir. Böylece Ahkâmu'l Kur'ân'daki şiirle istişhâd yöntemi ortaya konmuştur.
المرابطون والموحدون في العصر الاندلسي دراسة بلاغية البديع انموذجاً
This thesis is one of the rhetorical studies, and its purpose is to reveal some artistic and creative aspects of Al-Badi' styles in Andalusian poetry in the period between the fifth and seventh centuries AH. It is the era of the Almoravid and Almohad rule of Andalusia, which is considered a controversial period attacked by the Orientalists. They accused it of being backward and fighting science and art because of the many wars and volatile circumstances in the Muslims' relationship with the Spaniards. In order to achieve its objectives, the study based on selecting some evidence from each poet and citing them in the study of the creative rhetorical methods used by Andalusian poets. This falls under the descriptive analytical approach that achieves the purposes of rhetorical research. The most important results of this study were: That the science of Al-Badi attracted the Andalusian poets, so they stood on its types and methods, and they paid great attention to it. This may reflect their influence on the poets of the Levant. As they found in Al-Badi's methods what meets their emotional states, and their verbal abilities to compose poetry. And that the Almoravids and Almohads, despite their focus on jihad for the sake of God, did not neglect the scientific and literary development of their state, contrary to what the orientalists spread. And that Andalusian poetry used the quotation and inclusion of the Holy Qur'an, hadith and Arabic proverbs, And that poetry is rich in moral and verbal improvements, and this explains the intensity of its impact on the recipient, and its ability to have a melody and to sing. Keywords: Arabic language, Badi, Andalusian poetry, Verbal enhancer, Non-verbal enhancer.
الوصف عند الشاعر عبد الرزاق عبد الواحد
This thesis aimed to study the description in the poetry of Abd al-Razzaq Abd al-Wahed, who is one of the poets of the modern era who were distinguished by their wide and deep imagination. And the accuracy of his description of his feelings, and when we return to history, we find that the description was rooted in the Andalusian era, then Significantly developed, so it became a standard of the quality of poetry. Abd al-Razzaq Abd al-Wahed was distinguished by the accuracy of his verbal structures, as he was able to describe honestly and accurately everything that he felt, instinctively and realistically. He was proficient in choosing meanings and poetic methods, using words with soft letters, and a lot of sympathy and repetition, For this reason, the poet is considered one of the owners of abundant and descriptive poetry. The conclusions of this study was as follows: The poet comes at the forefront of the great Iraqi poets who shaped the poetic scene in Iraq from the fifties until this moment, and despite that he was critically neglected. He is considered one of the pioneers of the movement in free Arabic poetry. His poetry was varied : the vertical poem, the free poem, the poetic story, the poetic play, and children's poetry, and he benefited from other arts such as theater, story and singing. The environment and its details were important sources from which the poet drew his poetic images. He also described the traditional personality, referring it to a symbol, dialogue with it, and used it as a mask, and he employed the literary text inspiratly, intertextuality, or implicatly. He also took images from the Holy Qur'an that he included in his poetry, although he believes in Mandaeism.
كتاب الزُّجاجة البِلَّوريَّة شرحُ قصيدة الخَمريَّةلمُحَمَّد زين العابدين بن مُحَمَّـد الغَـمْريِّ سِبْـطِ المَرصَفِيِّ(ت: 966هـ)[دراسةً وتحقيقاً]
The khamriyyah poem is one of the most famous and greatest poems in the Khamryyat(wine poems), or what is called the Sufis "Divine Love" wroted by Ibn Al-Farid who is considered as the founder of this style of poems. He mixed with it the meanings of wine and love, where wine is a symbol of "Divine Love", and drunkenness is the amazement that afflicts the lover as a result of nostalgia and longing for the beloved. This poem has been explained by many explanations, including: Explanation of Al-Sibt al-Marsafi called The Book of Azzujajah Al-Billawriyyah: an Explanation of the Poem of Al-Khamriya by Muhammad Zain al-Abidin bin Muhammad al-Ghamri, Sibt al-Marsafi (T. 966 AH). The aim of this study was to make the book available to researchers and those interested in Sufi poetry, as well as to introduce Al-Sibt Al-Marsafi, and his approach to commenting on the poem, where he started with an introduction and then explained its vocabulary linguistically and idiomatically according to the Sufi meanings, then he summarized and mentioned the benefits and some notes. The study followed the steps of the historical descriptive approach when studying the author's era and his personal and scientific life, and the scientific method in investigation and commentary in studying the manuscript and attributing what he referred to by returning to the appropriate sources. The most important conclusions of the study: The explanation: "Azzujajah Al-Billawriyyah" contained
الأمل واليأس في شعر وليد الأعظمي دراسة تحليلية
This current research titled "Hope and desperation in Waleed Al-Azami poems – Analytical study" dwells on the selectivity of duality, because the contrasting diodes describe the nature of the time period in which the poet lived and it explains he was affected by internal and external problems, political and economic and social instability. The poet's repertoire included the best types of poetry. His poetry had an Islamic, invitational and reformist content, which stemmed from a fervent and sincere passion. The poet is distinguished by his long breath in his poems as a result of his tendency to approach the ancients. His poetry is distinguished by its ease and clarity, the attentiveness of meanings, the subtlety of his style, the magnificence and abundance of the word, and the absence of artifice, ambiguity and pretentiousness, and the absence of the pursuit of winged imagination. The study consists of an introduction, a preface and three chapters. The preface includes the translation of the poet and the explanation of his methodology, and the first part includes the artistic study of his poetry. In the second part, there is hope, praise, pride and euphoria in the poetry. In the third part, there is despair, satire, complaint and calamity in the poetry. The researcher has concluded his research with a conclusion, findings, and sources and references.
الصُّورة الشِّعريَّة في شعر جاسم محمد جاسم
The purpose of this thesis is to study the poetic image in the work of the contemporary Iraqi poet Jasim Muhammad Jasim, an academic born in 1971 AD. The importance of the study is evident in the poet's creativity in shaping the poetic image. Everyone who reads the poetry of Jasim Muhammad Jasim feels that coherent relational structure between the poetic image and the creative self when the image became the poet's essential means in the poetic experience. The study followed the descriptive approach when translating the author, presenting his biographical and scientific biography, and the analytical approach when extrapolating his poetry and analyzing it into its literary elements, to find out the images, metaphors, metaphors and symbols contained in his poetry. The conclusions of this study were that: The poet Jasim Muhammad Jasim relied in the formation of the metaphorical image on anthropomorphism and personification, so he brought out by anthropomorphism the abstract psychological potentials in scenic (cinematic) formats, thus forming influential metaphors, as he employed the diagnosis in human images of tangible things, thus forming exciting metaphors, similes and metaphors, and the metaphor dominated The metaphor for the declarative metaphor in his poetry; This confirms the poet's tendency towards suggestion, whether he was free from previous templates and models or shaped them in a new realistic way, and that the studied poet has presented in the field of artistic photography what is equal to the great poets because of the pictorial dimensions that these images carried based on the scenic dimensions; It is similar to what Imru' al-Qais, Bashar ibn Burd, Ibn al-Mu'tazz, Ibn Khafaja and others. His poetry in this field conforms to the rules of modern criticism, as we find in Jasim Muhammad Jasim the ingenuity and ability to transfer his psychological suffering to expressive images, the most faithful expression, and his imagination in the field of analogy of its various types reveals his vision of true beauty that has no falsity in it, while his metaphors came as a depiction Adept at the sincerity of his passion in a fertile imagination, and a rhythm capable of portraying the self-impression compatible with feelings and conscience. Likewise, the metaphor in his poetry comes in synergy with other elements in the statement of simile and metaphor; Since he is in harmony with a network of relationships that give his poetry a special flavor and influence on the conscience of the reader.
الهوية في الشعر العراقي المعاصر(2006-2016)
The study was based on a cultural methodology that has become of great standing and has emerged on the contemporary critical scene, which we can only describe as comprehensive. The research was launched through the interface that the cultural systems call for, through poetic reading, revealing the hidden secrets, and interrogating poetic texts, because of the implications of this study, in which it becomes clear to us the depth of meanings and goals in the light of critical studies, through applied criticism and reading an analysis of the poetic texts found in the poets' collections. The research dealt with generations of modern poets, and we wanted from this poetry that appeared and spread after the events that accompanied the occupation, especially the events after 2006, and the violent sectarianism that accompanied them. Contemporary Iraqis felt that it became present by an act in the individual imagination of each one of them, which made it capable of imposing its authority in the Iraqi society, due to its legitimacy and the great acceptability it enjoys, whether it was due to its declared systems or the implicit actions that have the ability to moving things according to data. We find it has dominated the production of the Iraqi poet through religious patterns, and his attempt to reveal the religious hegemony and patterns that managed to impose a state of consciousness and subconsciousness. As a result of the deteriorating and chaotic situation in which the Iraqis are living due to the domination of the religious establishment, the poetic motive became clear and evident in rejecting all religious practices and their activities, so they rebelled against them through a variety of ways, including direct rejection or symbolism, warning and ridicule and other ways. Keywords: identity, poetry, Iraqi society, contemporary Iraqi culture, groups in the society.
الإيقاع في ديوان حروف على جدران مدينةللشاعر أبزر عباس
The study has always stopped at (Rhythm in a collection of letters on the walls of a city), from which the musical axis and its entity were taken, to separate its parts and techniques, because this aspect of poetry represents its spirit and identity after its meaning. The importance of the study lies in two aspects, the first is to stand at texts that the public loved on social networking sites, and to know the composition of these poems musically that helps other poets to build on this form. The research was built on a preamble. Rhythm was dealt with as a general concept, defining its types and their relationship to each other. Then it moved to the first chapter in which it studied the external rhythm in the Diwan poems. Then it moved to the second chapter to study rhyme, its types and limits, and then moved to the third chapter to study the types of internal rhythms. The research reached results that can be summarized In that the poet is looking for a sea of riddles for liberation and wants free poetry in it, and that it is not organized on seas that are not in circulation, and that the rhyme is the one that dominates his rhymes, and the rhyme for Hazbar is not the center and does not represent only a musical episode that is not one of the poet's priorities. Keywords: (rhythm, weights, Abzar Abbas)
عناصر الدراسة الفنـيَّـة عامةً، وفي شعر ليلى الأخيليَّــة خاصةً
This study focuses on the Arab woman poet Layla al-Akhyaliyya, who was known for her beauty, strong personality and eloquence. She lived both in the first Islamic era and the Umayyad period and became well-known among the emirs and caliphs. Caliphs listened to her poems, such as eulogium or elegy, and gave her gifts and honors. This study discusses the poet's life and poetry, and also evaluates the notion and meaning of the artistic appearance in her poetry. The artistic aspects of Layla al-Akhyaliyya's poems on language, imagination, and style, such as repetition, contrast, and renewal, as well as rhetorical aspects such as metaphor, figurative expression, simile, and allegory, are mentioned. In particular, the rhetorical aspect has an important position in literary, critical and linguistic studies as it is the essence of literature, its artistic and aesthetic reflection. Literature is an art of depiction, and while it conveys emotions and thoughts, it also influences positive or negative perceptions. In this study, the life of Layla al-Akhyaliyya, the concept of artistic appearance and its meanings are explained, and the artistic appearances in her poetry are explained. It discusses the language, imagination, and style of Layla al-Akhyaliyya's poetry, as well as the poet's eloquence, which is often prominent in her poetry. Keywords: Appearance, Layla al-Akhyaliyya, allusion, imagination, style, repetition
الثّنائية الضّديّة في قصائد عمود الومضة لمُشتاق عبّاس معن أنموذجا: " وطنٌ بطعم الجرح" و " وجعٌ مسنٌ"
This study deals with the subject of opposite dualities in Müştak Abbas Main's Amud el-Vamda poetry in order to explore the semantic and aesthetic characteristics in his poetry. Because these characteristics reflect the poet's view of life and existence. This study stands at the phenomenon of contrast in the Amud el-Vamda poems of a contemporary Iraqi poet. This poetry showed the poet's feelings of loneliness and depression. The events that Iraq has witnessed in recent years have left a great impact on Müştak Abbas Main's poetry. That is why his poetry gave an honest expression of his fears about the future, and painted an accurate picture of his dreams of a safe homeland. The importance of the study lies in the search for a new style of modern Arabic poetry, i.e. the Amud el-Vamda style. This style contains original classic and innovative modern styles. Müştak Abbas Main used this style to express his national and humanitarian views. And also in order to portray his emotional feeling and his imaginary world that he built in his mind. The analytical-descriptive approach was used to study Abbas's poems. These poems are full of metaphors and images, and they have great semantic meanings. The study consists of an introduction and three chapters. The introduction provided a definition of the concepts of opposite, dualities (dichotomies) and Amud el-Vamda poetry. The study also presented a summary of the poet's biography, which is full of events and lessons. After that comes three chapters: intellectual, material, and social dualities. Each chapter is divided into three main sections. At the end of the study, the research results and the researcher's recommendations were written. In this study, a number of results were reached, the most important of which are: There are many intellectual dualities in Müştak Abbas Main's poetry. The poet's suffering in alienation from the homeland is shown through these dualities. The poet was always looking for a safe place and time, even in his dreams. The poet used these dichotomies sometimes as a method to express aesthetic inspirations, and at other times as a mask to cover his pains. Also he, mentioned many material dualities in his poetry to express his longing for the homeland. Keywords: Amud el-Vamda. Opposite. Müştak Abbas Main. İnspiration. Symbol.
الخصائص الأسلوبية في شعر محمد مظلوم
This study includes the poetry of Muhammad Mazloum, in the light of the stylistic approach, which is considered one of the modern critical approaches. It depends on its different levels in the modern linguistic lesson (phonological, morphological, grammatical, rhetorical) in addition to the psychological aspects as a means of analyzing the literary text. Its aim is to reach the applied study of the poems of Muhammad Mazloum. This study relies primarily on the secrets of beauty in the studied text in a scientific methodological manner in order to reach the magnificence of beauty, relying on rhetoric and good formulation. This research focuses on tracing the stylistic phenomena in Muhammad Mazloum's poetry, relying on the analytical approach, which depends on dismantling the basic elements of the topics under study. The researcher tried to point out the most frequent stylistic phenomena in Mazloum's poems, and it became clear to the researcher, through studying his poems, his interest in compositional methods, and it is not surprising because of their great importance in completing the meaning, whether in the case of talking or in the case of writing a specific topic. That the types of compositional displacement of the poet formed the center of convergence between him and the listener; Where the poet was able through this method to achieve the semantic goal that he aims for. The study also showed the poet's skill in using the repetition method. When the poet's patterns and colors multiplied; Where this method contributed to the formation of the creative image of the poet. In this study, the researcher sensed the close connection in Muhammad Mazloum's poetry between emotion and thought on the one hand, and language and style on the other. The researcher tried to prove tangible scientific results through which he tried to reveal the most prominent features of the poet Muhammad Mazloum's style of uniqueness and privacy.
أثر النزوح في الشعر الموصلي بعد 2014
You interact with it, interact with it, and interact with it in the year 2014, it represented a phenomenon that humanity went through in its time. The researcher began studying the research titled (The Effect of Displacement on Mosuli Poetry after 2014), so he divided the research into an introduction to three chapters, the first of which studied traditionalism, and the third of which studied the contents of displacement and the extensions of scientific research. The research reached a set of results, including displacement, the style of calling and prohibiting, interrogative and interrogative, a poetic school of displacement. Keywords: İmmigration, complaint, Mosul poetry, departure,nostalgia.
الوصف في شعر ابن درّاج القسطليّدراسة في الأسلوب
This study has been inspired by the concept of virtue in Ibn Darraj Al-Qastal's Poetry and it is aiming to provide a full picture of researcher, poet Ibn Darraj and also aiming to reveal his artistic depiction. The fact that the concept of qualification distinguishes the mentioned poet from others reveals the importance of the current research. The poet has drawn very important pictures by using his imagination in a wonderful way. The current research thesis begins with a preface. In the foreword, the research topic and the poet's life were mentioned, and the poet's most important social and literary details were focused. In the first chapter that follows, he discussed its characteristics and types, its characteristics, its development in the Jahili and Umayyad and Abbasid and Andalusian periods. Then, in the second part, he focused on the aims of the poet, where he divided the artistic quality into four studies: the quality of praise, the quality of lament, the quality of gazal and the quality of nature. In the third part, there is the title of art mechanism in the poet's divan. He dealt with demands such as simile, metaphor, allusion. In summary, it was concluded that the poet worked wonders in his qualities. The characteristics of the Andalusian kings were embodied. Like King Al-Mansor Ibn Abi Amer and his son, he lamented for them and expressed his love for his beloved, embodying land and sea battles. Ibn Darraj used various rhetoric arts in his works, especially the art of simile, which is common in his divan. These were manifested in all types. These types have examples such as full simile, Mursel, mufasal, beleeg, representation, maklup. The art of metaphor also played a very important role in formulating the poet's images. The art of allusion has also emerged in artistic depiction. The poet used these arts to strengthen their meaning, characterizing the characteristics of the beloved and kings, praising them or lamenting them. These arts created musical energies that help the recipient assimilate meaning.
شرح القصيدة المضرية للشيخ عمر بن سليمان الكردي، من علماء القرن 12ه: دراسة وتحقيقاً.
This explanation of Sheikh Suleiman Al-Kurdi Al-Basri is considered one of the most valuable explanations on "Mudariyyah Poem" of Sheikh Sharaf Al-Din Muhammad bin Saeed Al-Busairi. The author, May God Almighty have mercy on him, excelled in explaining it. He began to explain it without an introduction and mentioned the first verse, then he began to explain it, and his explanation is divided into two parts, the first in his commentary on the poetic verse, an explanation of the vocabulary and structures, and the second in the syntax of poetry. The extracted from the house, and if there is an eloquence in the house that he mentioned, or an issue that needs a clarification between it, and he mentions a title for that with a benefit or a warning, then he concluded his explanation by explaining how to pray for the Prophet, peace be upon him, and what was mentioned in that of the manners in the texts or from the scholars, The researcher followed the historical descriptive-historical approach when presenting the biographies of the two Sheikhs Al-Busiri and Al-Kurdi and defining their scientific and scientific biography and their era, and the scientific method used in the investigation and commentary in the investigated section, from copying the text and adjusting it according to modern spelling rules, attributing sayings and sayings to their meanings, and discussing the issues presented in the text, The search results were as follows: The research showed the author's creativity in similes and metaphors that he employed in likening the Messenger, PBUH, and the honorable companions with meanings that include energy, beauty, generosity, courage and strength. He excelled in employing metaphors in explaining his call, the methodology of his religion, and describing the honorable Companions, and their efforts in spreading the call and delivering it to the whole world. He was also good at using euphemisms and verbal improvements in explaining the meanings that indicate the comprehensiveness and greatness of the Prophet PBUH. In addition to the author's use and employment of all the grammatical and morphological aspects of words to serve the meaning and clarify the intent, all of this in an interesting style, indicating the high linguistic sense and his broad literary religious education.
"التأثيرات النفسية في شعر ابي العلاء المعري "
This research tries to bring a psychological approach to Ebu'l-Ala el-Maarri's poetry, thus making a comparative analysis between the author's life on the one hand and his poetry on the other. In this context, a framework of the author's psychological crises is presented, then the psychological effects caused by these crises will be examined, thus evaluating how effective these effects are on his literature and poetry. In this framework, the study is divided into sections, namely introduction, three chapters and conclusion. In the first part, the characteristics of psychological effects in the eyes of al-Maarri are discussed, and in the second part, the external causes of this psychological effect are mentioned. Then, the appearance forms of psychological effects are discussed in the third part. Finally, in the conclusion part, the results and suggestions obtained during the research are given. A descriptive analytical approach was followed in the research as it was suitable for the aims and requirements of the study. Examining the bad conditions that caused the psychological effects, smallpox, loss of vision, loss of mother and father can be counted the tragedies that il al-Maarri faced during his journey in search of knowledge. The crises and tragedies that the author has faced throughout his life can be considered the most important causes and motives of the psychological effects he has been exposed to. Because he had to cope with various kinds of psychological crises that emerged in different forms and progressed gradually as a result of the events and conditions to which he was exposed one after the other. The main ones are depression, isolation and loneliness and the way he looks at himself .
تجليات الانا والاخر في شعر يحيى السماوي
This thesis aimed at researching the problem of the relationship between the ego and the other, as it was manifested in the poetry of the contemporary Iraqi poet Yahya Al-Samawi. Studying the situations that link the ego to the other in his poetry in all its forms and images, and standing on the poetic text to reveal its implications and hidden connotations that reveal the suffering of the ego and her pains, and her constant aspiration to harmony with the other. The importance of the study comes from the importance of the heavenly poet, as he possesses a rich poetic experience for study and criticism, and his style is distinguished by the beauty of the phrase, the accuracy of the reference, and that he is one of the poets of alienation who were loyal to their identity, as well as the fact that the focus of the study is one of the topics in which multiple sciences share: such as psychology, philosophy, sociology. And that this study deals with a contemporary poetic experience that may benefit poets, scholars, and those interested in modern Arabic poetry. This study followed the descriptive analytical approach, by describing his literary life, his life philosophy, extrapolating his poetry and examining his collections. To study it critically with the aim of clarifying the phenomena of the ego and the other of the poet through his poetry. The conclusions of the study were as follows: The texts of the poet Yahya al-Samawi did not stand in their relationship with the other at the time of confrontation or contradiction, but rather it was a turbulent relationship attracted by the poetic ego, and in many texts the concept of the ego and the other transcended the relationship of parallel and antithesis to a neutral, unknown, more harmonious. The space also appeared clearly in his poetry, whether local places in Iraq, or Arab or Western places, and they formed the field in which his relationship with the other. In his narrative poems, he presented a model of striving towards identification with the other, and the search for commonalities, especially participation in the Arab identity, and in his relationship with the Western other, the intellectual, cultural, and civilizational conflict emerged. His speech to the occupied Western man came as a speech of contrast to the opposite, as he touched in his poetry on irony in order to add a new satirical tint, and linguistic shift to add surprise and shock to the recipient, and his language varied between classical and spoken in what could be called hybrid Arabic, and therefore his phrases were characterized by smoothness and ease of reception. The poet Al-Samawi truly represented the image of the unstable ego in its struggle with the other, and the circumstances of his life, the pain of the Iraqi war, and alienation from the homeland added to his poetry a lot of passion, distinction, and breadth, and made him truly one of the distinguished poets, and he has a clear imprint in contemporary Iraqi poetry.
التوظيف الفني للون في شعر أبي إسحاق إبراهيم بن يحيى بن عثمان الكلبي الغزي (441 – 523 هـ) دراسة تحليلية
Arabic literature is a source for researchers in all eras, and we need to take from this literature in our scientific studies, in order to achieve the desired results in a scientific and modern manner, and poetry is one of the most important human creative arts affecting the recipient, and the poet with his ability and intelligence attracts the recipient in the possibilities of his poetry with a creative and artistic touch, and when we look closely at our literary heritage and scrutinize it, we realize that researchers did not pay attention to many poets who have a great legacy in the field of Poetry such as Al-Ghazi Ibrahim bin Othman Al-Ashhabi (d. 524 AH), the owner of the Great Diwan, whose biography is still unknown and unknown to many researchers and scholars, and did not mention literature books only a few lines, knowing that he is one of the most important poets in the second Abbasid era, They sang his poetry, and his poems won the internal and external music in his poetry accuracy, clarity and the power of eloquence and eloquence, he needs a dictionary to decipher the meanings, and his poetry is characterized by the presence of man and woman and the presence of nature, and the emergence of the color phenomenon in his poetry, as well as his poetry was characterized by comprehensiveness and wide space in the description, and this is evidence of his movements and trips, and when you collect what the poet wrote, we find that his work is very limited, for lack of interest in his poetry, he is one of the creative poets , Say his counterpart in eloquence and eloquence, but it is submerged and not famous, so I decided to study the color in his poetry to be an attempt to seek to highlight this poet and his poetry, may motivate researchers and scholars to seek to highlight this poet from the space of neglect and forgetfulness to the space of light . Keywords: color, employment, poetry, Gaza
البنية اللغوية في شعر حسن عامر
.The purpose of this thesis is to study the linguistic structure in the poetry of Hassan Amer, a contemporary poet who won many awards and honors. The scope of this study is determined by two collections of poetry: "As He Who Tried the Way" and "The Shepherd's Nap". The importance of this study comes from being an applied study of the structural approach in contemporary Arabic poetry. It deals with the phonetic, rhythmic, morphological, semantic and syntactic structure in Hassan Amer's poetry, thus standing on his semantic fields, and revealing the aesthetics of his poetic texts. This study relies on the analytical descriptive approach, when extrapolating, analyzing, and deconstructing poetic texts to determine the poet's linguistic styles. The study's conclusions were: The poet diversified in his writing style between vertical poetry in which he imitated the ancients, and used free verse style (al-Tafilah), And that his imagination indicates his rural upbringing, his intellectual, literary and poetic knowledge, and that nature was his first inspiration, and for this reason his images were characterized by excitement and novelty, which gave his texts excitement, suspense, verbal and moral adornment, in addition to his distinctive poetic music. And that he always tries to break free from restrictions, and reveal his emotional feelings without being fake or pretentious. He deviated from analogy, and made himself a linguistic dictionary, so we find in his poetry a lot of aural vocabulary, The present tense is often used by him to indicate the present and the future, and that he relied on words containing Madd letters; To give the text something of vocal softness and poetic lyricism, And that he follows the method of contradiction to astonish the reader, and create an emotional shock in his conscience, and that the poet Hassan Amer, with his texts and culture, is the opposite of the image of the modern Arab poet, who is distinguished by his wide knowledge of the ancient literary heritage and contemporary global culture.
مختصر المؤتلف والمختلف في أسماء الشعراء وألقابهم للآمدي للشيخ وحدي الرومي، إبراهيم بن مصطفى (ت. 1126ه)
The aim of this thesis was to study and investigate a brief book about the different and different in the names and titles of poets by Al-Amdi (d. 370 AH), which was written by Sheikh Ibrahim bin Mustafa, famous for Wahdi Al-Roumi (d. 1126 AH), contained biographies of some poets that we can only find in it, and Sheikh Wahdi added to it what was inadvertently omitted by Al-Amdi or what was mistaken in it by correction or distortion. This study used two written copies: the first is a library copy Noor Osmaniye (preserved No. 4983), and the second is the copy of Asher Effendi Library (preserved No. 439). The study followed the descriptive-historical approach when translating the author and his scientific biography, and the method of investigation and commentary in the verified text by copying the manuscript copies, adjusting and comparing them, and attributing the narrations to its approved sources. The most important results of this study are the following: Imam Wahdi Al-Roumi is one of the encyclopedic scholars who wrote in most of the sciences, and is characterized by a unique mentality through which he was able to abbreviate many books, including: Al-Amidi's book, and the author was not just an abbreviator, nor was he A follower of all that Al-Amdi went to, but rather added what Al-Amdi omitted in the lineage of some poets, and he also has unique jurisprudence in which he contradicted Al-Amdi, and he did not follow his path in some places, following the sayings of other scholars, and this is a matter of difference of opinion and divergence of points of view. Sheikh Wahdi in many places relied on other sources than Al-Amidi's book to add some comments on the life of the poets, such as mentioning some verbal differences or what was said of praise or disparagement of the poet, or referring to a virtue or some news. The author Al-Amidi agreed not to mention details about the famous poets such as: Jarir, Jamil Buthaina, Imru' al-Qais and al-Asha, and other who are frequently mentioned in the books of Arabic literature. Sheikh Wahdi made mistakes while correcting the lineages of poets, but this does not diminish the scientific value of the book, since his corrections on Al-Amdi are important and deserve study and consideration. Keywords: Arabic. al-Mu'telif wa al-Muhtelif. Al-Amidi. Wahdi al-Rumi. investigation.
التناص في شعر جميل صدقي الزهاوي
Intertextuality is a modern critical term and a new critical phenomenon for an old concept, which appeared on the impact of linguistic studies in the West and has its roots in ancient critical studies with different names and terms such as quotation, theft, embedding and others. The two great ones, as they often talked about intertextuality, even if they did not address it directly. The negative view of this term changed to a positive one after the use of the term and its careful dismantling by the French-Bulgarian philosopher (Julia Kristeva) influenced by the dialogue principle of her Russian philosopher teacher (Mikhail Bakhtin), and there There is a consensus among many that the text is a fabric of previous texts and that it is the absorption of an authored culture that the writer dissolves in his text to produce what is known as (intertextuality) in its various forms, such as direct and indirect intertextuality, and both types are divided into other types of intertextuality that differ according to the difference in literature. The culture from which the writer drew his texts. In her research, the researcher dealt with intertextuality in the poetry of Jamil Sidqi AlAzhawi, in which she focused on extracting intertextualities in his poetic texts and clarifying their types and the way they are used in the poet's poem. The study reached a number of results, the most important of which are: - The poetic experience of the Iraqi poet Jamil Sidqi Al-Azhawi is one of the most prominent poetic experiences in the Arab world, due to its creativity, depth, richness and vitality, which made it move to the Arab world smoothly. - The poet's poetic works were not limited to one type of intertextuality, but rather included most types of intertextuality, with its two main parts, direct and indirect, and their branches. Even at the level of a single poem, sometimes we find more than one type of intertextuality. - Religious intertextuality occupied the largest space in the poet's poems, as the Qur'anic verses related to the stories of the prophets and the crucifixion of Christ occupied a prominent space in the poet's poems, as one poem is hardly devoid of religious references through which he wants to convey different messages.
التمرد في شعر بدر شاكر السياب
This study aims to identify rebellion in the Badr Shaker al-Sayyab's poetry, determine its concept and types, and explain its effect on the contents of his poetry. Determining its characteristics Al-Sayyab's poetry and clarifying the most important aspects of stylistics based on references and valuable sources based on the extrapolation and analysis of poetic texts and this was confirmed by the chapters and investigations of the study according to the divisions included in the text. In the poet, in addition to the presence of seeds of conflict and rebellion in his personality, which developed in him a love of revolution and protest against reality, this was reflected in his biography and poetic works. Keywords: (Rebellion, Badr Shaker Al-Sayyab ,Poetry)